Sheepwash Bay

“This scene was shot at Sheepwash Bay on Bruny Island, with Tasmania just showing through the clouds in the background. I shot this in June in the middle of winter in Australia to get the right light. Bruny Island is at 43 degrees latitude south, so the sun is very low at this time of year. As you can see, this was shot at sunset which was between 4:30 PM to 5:00 PM.“

Camera Blackmagic URSA Mini Pro 12K OLPF

Codec Blackmagic RAW in Constant Bitrate 3:1

Sensor 12K Super 35 (12,288 x 6480) 80 megapixels per frame

8K full frame oversampled to 4K

Lenses DZOFilm Vespid 25mm T1.5 @ T2.8

Frame Rate 24 fps

ISO 800

Shutter 180 degrees

White Point 5600K

LUT Blackmagic Gen 5 Film to Extended Video

NDs Internal and NiSi C5 matte box with variable ND

Color Science Generation 5 Color Science

Shot on tripod

Download Camera Original File (1.74 GB) Download Graded File (63.3 MB)

The Baker

“With this interview scene, I had John sitting at a pottery wheel in this very darkened space. Most of the lighting came from a single window to the left side of his face. I used a lot of negative fill to create the contrast and darkness on his right cheek. Without it, I wouldn't have achieved the desired contrast ratio.“

Camera Blackmagic URSA Mini Pro 12K OLPF

Codec Blackmagic RAW in Constant Bitrate 3:1

Sensor 12K Super 35 (12,288 x 6480) 80 megapixels per frame

8K full frame oversampled to 4K

Lenses DZOFilm Vespid 50mm T2.1 @ T.4

Frame Rate 24 fps

ISO 800

Shutter 180 degrees

White Point 5600K Spotlight 3200‑3800K

LUT Blackmagic Gen 5 Film to Extended Video

NDs Internal and NiSi C5 matte box with variable ND

Color Science Generation 5 Color Science

Shot on tripod

Download Camera Original File (649.8 MB) Download Graded File (17.9 MB)

The Potter

“The pottery scene was shot in the same location as the ’The Baker’ at the pottery wheel under the window. Although it was shot on a different day, it was shot at the same time so that the shadows cast by the window were the same. The biggest difference was the location of the spotlight, which for this scene was in front of Jenene so that I could have a small highlight on her right hand.“

Camera Blackmagic URSA Mini Pro 12K OLPF

Codec Blackmagic RAW in Constant Bitrate 3:1

Sensor 12K Super 35 (12,288 x 6480) 80 megapixels per frame

8K full frame oversampled to 4K

Lenses DZOFilm Vespid 90mm Macro T.2.8 @ T5

Frame Rate 24 fps

ISO 800

Shutter 180 degrees

White Point 5600K Spotlight 3200‑3800K

LUT Blackmagic Gen 5 Film to Extended Video

NDs Internal and NiSi C5 matte box with variable ND

Color Science Generation 5 Color Science

Shot on tripod

Download Camera Original File (766.1 MB) Download Graded File (28.1 MB)

The Greenhouse

“With every scene, I was going for a sense of isolation. And so with the greenhouse shot, I liked this elevated camera angle as it feels like she is on her own. The greenhouse has all of these windows on the side that were covered in sea spray. The roof was opaque plastic which worked like a massive light diffuser for me. So it was the perfect location for shooting.“

Camera Blackmagic URSA Mini Pro 12K OLPF

Codec Blackmagic RAW in Constant Bitrate 3:1

Sensor 12K Super 35 (12,288 x 6480) 80 megapixels per frame

8K full frame oversampled to 4K

Lenses DZOFilm Vespid 25mm T2.1 @ T.2.8

Frame Rate 24 fps

ISO 800

Shutter 180 degrees

White Point 5600K

LUT Blackmagic Gen 5 Film to Extended Video

NDs Internal and NiSi C5 matte box with variable ND

Color Science Generation 5 Color Science

Shot on tripod

Download Camera Original File (1.64 GB) Download Graded File (40.9 MB)

Camera Blackmagic URSA Mini Pro 12K

Codec Blackmagic RAW in Constant Bitrate 12:1

Sensor 12K Super 35 (12,288 x 6480)

80 megapixels per frame

8K full frame, cropped aspect ratio 2.40:1

Lenses Century Optics 17-35mm at T 3.1 and vintage Cooke Panchros Classics

ISO 400

LUT Goldcrest custom film emulation LUT

Color Science Science Generation 5 Color Science

Camera Blackmagic URSA Mini Pro 12K

Codec Blackmagic RAW in Constant Bitrate 12:1

Sensor 12K Super 35 (12,288 x 6480)

80 megapixels per frame

8K full frame, cropped aspect ratio 2.40:1

Lenses Century Optics 17-35mm at T 3.1 and vintage Cooke Panchros Classics

ISO 400

LUT Goldcrest custom film emulation LUT

Color Science Science Generation 5 Color Science

Slow walking

“I wanted to do some close up shots of my wife walking in extreme slow motion. Because her boots are branded, I really wanted to know if you could still see the Danner logo with the movement of her legs. So the test with this shot was to see if the URSA Mini Pro 12K could keep all of the detail on the leather of her shoes, throughout those walking movements in the snow.”

Camera Blackmagic URSA Mini Pro 12K

Codec Blackmagic RAW in Constant Bitrate 12:1

Sensor 12K Super 35 (12,288 x 6480)

80 megapixels per frame

4K Super 16 (4096 x 2160)

Lenses Sigma 18-35mm f.1.8 EF @ f.2.8 with ND

Frame Rate 240 fps

ISO 400

Shutter 180 degrees

Color Science Science Generation 5 Color Science

Hand-held

Download Camera Original File (618 MB) Download Graded File (78.2 MB)

Mother and child

“Where we were shooting this footage is right outside our house in the French Alps. We are at 700 metres above sea level, so it is ridiculously bright. Looking at my wife’s face, it is almost like I have a soft box on her. The day was overcast giving everything thing this soft grey caste.”

Camera Blackmagic URSA Mini Pro 12K

Codec Blackmagic RAW in Constant Bitrate 12:1

Sensor 12K Super 35 (12,288 x 6480)

80 megapixels per frame

4K Super 16 (4096 x 2160)

Lenses Sigma 18-35mm f.1.8 EF @ f.2.8 with ND

Frame Rate 240 fps

ISO 400

Shutter 180 degrees

Color Science Science Generation 5 Color Science

Hand-held

Download Camera Original File (1.01 GB) Download Graded File (89.3 MB)

Boy and the watch

“I think this is a great shot that shows how the URSA Mini Pro 12K renders these really smooth skin tones while still picking up the hard reflective qualities of the watch case. When this was shot, we had this super low sunset. You can see the light is reflecting off the edge of the watch on the boy’ ”

Camera Blackmagic URSA Mini Pro 12K

Codec Blackmagic RAW Constant Bitrate 12:1

Sensor 12K Super 35 sensor

8K 6:5 Anamorphic (5,120 x 4,272)

2x Squeeze Ratio

Lenses Cooke Anamorphic 50mm T2.3 PL mount

Frame Rate 48fps

ISO 800

Shutter 180 degrees

Color Science Generation 5 Color Science

LUT Buttery LUTS Rec 709

ND Filters Internal NDs 6 stops

Download Camera Original File (239 MB) Download Graded File (579 MB)

Early Morning

“The plan with all of these shots was for a natural progression throughout the day. Starting with sunrise and then sunset. But it didn’t quite work out that way. When we arrived at Dana Point early in the morning it was all fogged in. With the early morning fog, the pre-morning light was more like night-time. It was very dark, which is not what we planned for.”

Camera Blackmagic URSA Mini Pro 12K

Codec Blackmagic RAW Constant Bitrate 8:1

Sensor 12K Super 35 sensor

8K 6:5 Anamorphic (5,120 x 4,272)

2x Squeeze ratio

Lenses Cooke Anamorphic 50mm T2.3 PL mount

Frame Rate 24fps

ISO 800

Shutter 180 degrees

Color Science Generation 5 Color Science

LUT Buttery LUTS Rec 709

ND Filters Internal NDs 0 stops

Download Camera Original File (302 MB) Download Graded File (189 MB)

Wetsuit

“This shot was mid morning, so I had to make it feel a bit darker than it really was. And so I shot this with two stops of internal ND at ISO 800. I was lucky that this was shot on the morning that it was foggy, so it was easy to fake it to look like it was very early in the morning.”

Camera Blackmagic URSA Mini Pro 12K

Codec Blackmagic RAW Constant Bitrate 18:1

Sensor 12K Super 35 sensor

8K 6:5 Anamorphic (5,120 x 4,272)

2x Squeeze ratio

Lenses Cooke Anamorphic 50mm T2.3 PL mount

Frame Rate 48fps

ISO 800

Shutter 180 degrees

Color Science Generation 5 Color Science

LUT Buttery LUTS Rec 709

ND Filters Internal NDs 4 stops

  

Download Camera Original File (136 MB) Download Graded File (235 MB)

Walking on the beach

“This was shot about 5.30-6pm in the afternoon. I would characterise this time of day in California as pre-sunset. Although this is such a high contrast shot there is also a depth to it. You can see all of the surface detail on the boy’s surfboard including the smooth wet area where it’s reflecting in the sunset.”

Camera Blackmagic URSA Mini Pro 12K

Codec Blackmagic RAW Constant Bitrate 12:1

Sensor 12K Super 35 sensor

12K 6:5 Anamorphic (7,680 x 6,408)

2x Squeeze ratio

Lenses Cooke Anamorphic 50mm T2.3 PL mount @ T 6.5

Frame Rate 48fps

ISO 400

Shutter 180 degrees

Color Science Generation 5 Color Science

LUT Buttery LUTS Rec 709

ND Filters Internal NDs 6 stops

Download Camera Original File (573 MB) Download Graded File (341 MB)

Kia Commercial Still 1

Kia Headlight

“With this scene of the car headlight, I have to point out the 12K camera again. You just see everything, every little detail. Although we had the car being washed continuously there were a lot of people touching the car all day long, including the KIA mechanics. These are things you have to really think about when shooting in 12K. You do see everything!”

Camera Blackmagic URSA Mini Pro 12K

Codec 8K 16:9 Blackmagic RAW in Constant Bitrate 8:1

Sensor 12K Super 35 (12,288 x 6480) 80 megapixels per frame

Lenses XEEN CF Pro Cine Lens 50mm T1,5 ND 2 @ T2.8

Frame Rate 60 fps

ISO 400

Shutter 125 shutter

Color Science Generation 5 Color Science

Download Camera Original File (3.6 GB)

Kia Commercial Still 2

Snorkel over wheel

“For this shot we decided to used a PL mount probe lens attached the URSA Mini Pro 12K camera. We used a slider with the car seats folded back as low as possible. The dashboard effects that you see in the spot, is the start display when you start up the Kia. This was an important shot, and so we spent a whole day just doing the dashboard scene.”

Camera Blackmagic URSA Mini Pro 12K

Codec 8K 16:9 Blackmagic RAW in Constant Bitrate 5:1

Sensor 12K Super 35 (12,288 x 6480) 80 megapixels per frame

Lenses Laowa 24mm f/14 Probe Macro Lens 24mm

Frame Rate 30 fps

ISO 500

Shutter 60 shutter

Color Science Generation 5 Color Science

  

Download Camera Original File (3.5 GB)

Kia Commercial Still 3

Textures

“For the interior shots of the car, the URSA Mini Pro 12K turned out to be a blessing for us. Simply because we could shoot in 12K and then crop-in later in post. We had to work relatively quickly with these interior scenes. So shooting 12K gives us the opportunity to shoot with the same lens, and then just crop in and adjust in post production.”

Camera Blackmagic URSA Mini Pro 12K

Codec 8K 16:9 Blackmagic RAW in Constant Bitrate 8:1

Sensor 12K Super 35 (12,288 x 6480) 80 megapixels per frame

Lenses XEEN CF Pro Cine Lens 50mm T1,5 ND 2 @ T2.8

Frame Rate 60 fps

ISO 400

Shutter 125 shutter

Color Science Generation 5 Color Science

Download Camera Original File (4 GB)

Kia Commercial Still 4

Streets of Salzburg

“We actually shot this scene spontaneously whilst driving from one shooting location to another. I had Enzio Samaden, our media specialist, sit in the back seat with the window open shooting handheld as we drove through Salzburg. We managed to get this scene in just two takes.”

Camera Blackmagic URSA Mini Pro 12K

Codec 8K 16:9 Blackmagic RAW in Constant Bitrate 12:1

Sensor 12K Super 35 (12,288 x 6480) 80 megapixels per frame

Lenses Objektiv 50mm PL Prime (no ND) @ T2.8

Frame Rate 60 fps

ISO 400

Shutter 125 shutter

Color Science Generation 5 Color Science

  

Download Camera Original File (2.4 GB)

Robertson House 1

Camera Blackmagic URSA Mini Pro 12K

Codec Blackmagic RAW 12K ‑ 12:1

Sensor 12K Super 35 Sensor (12,288 x 6,480)

Lenses Sigma 18 ‑ 35mm Art EF mount

Filter HOYA IR

Frame Rate 24fps, 33fps & 60fps in 12K

ISO 400, 640, 800

Color Science Generation 5 Color Science

Download Camera Original File (774 MB)

Robertson House 2

Camera Blackmagic URSA Mini Pro 12K

Codec Blackmagic RAW 12K ‑ 8:1

Sensor 12K Super 35 Sensor (12,288 x 6,480)

Lenses Sigma 18‑35mm Art EF mount & Nikon 85mm 1.8 Non-AI F mount + ISCO Ultra Star Red (2x anamorphic mode) + Rapido FVD‑16A

Filter HOYA IR

Frame Rate 24fps, 33fps & 60fps in 12K

ISO 400, 640, 800

Color Science Generation 5 Color Science

Download Camera Original File (752 MB)

Robertson House 1

Camera Blackmagic URSA Mini Pro 12K

Codec 8K 16:9 Blackmagic RAW in Constant Bitrate 8:1

Sensor 12K Super 35 (12,288 x 6480)

80 megapixels per frame

Lenses Cooke S4 25mm Prime Lens

Frame Rate 23.976 fps

ISO 800

Shutter 180 shutter

Color Science Generation 5 Color Science

LUT Custom de-saturated viewing LUT

Download Camera Original File (2.04 GB)

Robertson House 2

Camera Blackmagic URSA Mini Pro 12K

Codec 8K 16:9 Blackmagic RAW in Constant Bitrate 8:1

Sensor 12K Super 35 (12,288 x 6480)

80 megapixels per frame

Lenses Cooke S4 32mm Prime Lens

Frame Rate 23.976 fps

ISO 800

Shutter 180 shutter

Color Science Generation 5 Color Science

LUT Custom de-saturated viewing LUT

Download Camera Original File (788 MB)

Twelve

Camera Blackmagic URSA Mini Pro 12K

Codec Blackmagic RAW in Constant Quality Q5

Sensor 12K Super 35 (12,288 x 6480)

80 megapixels per frame

Lenses PL mount, Zeiss Supreme 100mm @ T4

Filter Internal 4 stop ND

Frame Rate 12K at 24fps

ISO 800

Shutter 180 shutter

Color Science Generation 5 Color Science

Download Camera Original File (487.2 MB)

Twelve

Camera Blackmagic URSA Mini Pro 12K

Codec Blackmagic RAW in Constant Quality Q1

Sensor 12K Super 35 (12,288 x 6480)

80 megapixels per frame

Lenses PL mount, Zeiss Supreme 50mm @ T2

Filter Internal 2 stop ND

Frame Rate 12K at 24fps

ISO 500

Shutter 180 shutter

Color Science Generation 5 Color Science

Download Camera Original File (2.3 GB)

The Fighter - Wide Shot

Camera Blackmagic URSA Mini Pro 4.6K G2

Codec Blackmagic RAW Constant Bitrate 3:1, 8:1

Lenses PL mount. Sigma Cine 20mm, 35mm, 40mm and 85mm @ T4, T3.5

Frame Rate 4.6K 23.98, 60 and 120fps.

ISO 800

Accessories D-Box power with 12v 2 pin Lemo, Tilta Nucleus M remote follow focus, Bright Tangerine matte box and manual follow focus system

Download Camera Original File (294 MB)

The Fighter - Wide Shot

Camera Blackmagic URSA Mini Pro 4.6K G2

Codec Blackmagic RAW Constant Bitrate 3:1, 8:1

Lenses PL mount. Sigma Cine 20mm, 35mm, 40mm and 85mm @ T4, T3.5

Frame Rate 4.6K 23.98, 60 and 120fps.

ISO 800

Accessories D-Box power with 12v 2 pin Lemo, Tilta Nucleus M remote follow focus, Bright Tangerine matte box and manual follow focus system

Download Camera Original File (243 MB)

Behind the Scenes with Josh Groban’s "Bridges" Tour

URSA Broadcast

Director

Stuart Merser

Production Company

Vis‑a‑Vis Video

Behind the Scenes with Steve Vai's ‘Dark Matter’

URSA Mini Pro

Director and DOP

Lukas Colombo

VFX Supervisors

Bruce Jurgens and Nick Torres

Production Company

Moai Films

Feature Documentary Disunity

URSA Mini Pro and URSA Mini 4.6K

Director / DOP

Garth de Bruno Austin

Mystère Cirque du Soleil Behind the Scenes

URSA Broadcast

Director

Jacob Mann

Producer / Director

Lukas Colombo

Project Manager

Carlos Lopez

AC/DC on Tour

URSA Mini 4.6K

DOP

James Tonkin

Production Company

Hangman Studios

Endless Summer Music Video for BCBG Max Azria Feat. Agnes Azria

URSA Mini 4.6K

Director and DOP

Anthony Lau

Production Company

ALAUD

Forest - URSA Mini 4.6K

URSA Mini 4.6K

DOP

Mark Wyatt

Production Company

Wyatt Visuals

Ma Bulle by eBay

URSA Mini 4.6K

Director and DOP

Director and DP: Pascal Délé

Production Company

Production Company: Lifestyle‑Prod

First Seven Days

URSA Mini 4.6K

DOP

Note K. Suwanchote

Production Company

LightForm

The Dreamers

URSA Mini 4.6K

Director and DOP

Hugo van Dijke and Yaël Ovadia

Production Company

Delicate Nature

Malibu

URSA Mini 4.6K

DOP

Noam Kroll

Production Company

Creative Rebellion

A Land Before Time

URSA Mini 4.6K

Director and DOP

Roman Alaivi

Production Company

Neon Tetra Films

Next Page - Tech Specs

Next Page

Tech Specs

Learn more about Tech Specs Arrow

Blackmagic URSA Mini Pro

Blackmagic URSA Mini Pro 4.6K G2

Blackmagic URSA Mini Pro 4.6K G2

Get an amazing Super 35mm 4.6K sensor with 15 stops of dynamic range up to 120 fps or 2K at 300 fps! Includes features such as 3 x ND filters, Blackmagic RAW, USB-C external disk recording and more!

A$9,819

Buy Now
Blackmagic URSA Mini Pro 12K

Blackmagic URSA Mini Pro 12K

Featuring a revolutionary 12K Super 35mm 80 megapixel sensor with generation 5 color science and 14 stops of dynamic range, URSA Mini Pro 12K is designed for high end feature film production.

A$10,445

Buy Now
New
Blackmagic URSA Mini Pro 12K OLPF

Blackmagic URSA Mini Pro 12K OLPF

URSA Mini Pro 12K with OLPF has better detail handling for high end feature film. It includes a 12K Super 35mm 80MP sensor, wide dynamic range, G5 color science, revolutionary RGBW color and in-sensor scaling.

A$10,445

Buy Now
Blackmagic URSA Mini Pro EF Mount

Blackmagic URSA Mini Pro EF Mount

The Blackmagic URSA Mini Pro EF Mount kit is available if you ever need a spare EF lens mount in addition to the original EF that comes with your URSA Mini Pro.

A$295

Buy Now
Blackmagic URSA Mini Pro PL Mount

Blackmagic URSA Mini Pro PL Mount

Optional PL lens mount which features contact pins for compatibility with Cooke’s i/Technology protocol allowing lens information to be saved as metadata and used in software like DaVinci Resolve.

A$405

Buy Now
Blackmagic URSA Mini Pro F Mount

Blackmagic URSA Mini Pro F Mount

The URSA Mini Pro F Mount lets you use your favorite Nikon stills lenses with smooth high precision mechanical iris control. Now you can pair digital film quality with classic Nikon AF‑S G and AF‑D series lenses.

A$625

Buy Now
Blackmagic URSA Mini Pro B4 Mount

Blackmagic URSA Mini Pro B4 Mount

Optional B4 lens mount with precision optics and spherical aberration correction specifically designed to match the camera’s sensor so you can use your existing B4 HD broadcast lenses.

A$635

Buy Now
Blackmagic URSA Viewfinder

Blackmagic URSA Viewfinder

High resolution viewfinder for URSA range of cameras includes full HD OLED display and true glass optics for perfect focus.

A$2,505

Buy Now
Blackmagic URSA Studio Viewfinder G2

Blackmagic URSA Studio Viewfinder G2

Turn URSA Mini into a professional studio camera with large and bright 7 inch screen, removable sunshade, adjustable mount and knobs for control of brightness, contrast and focus peaking.

A$2,485

Buy Now
Blackmagic URSA Mini Pro Shim Kit

Blackmagic URSA Mini Pro Shim Kit

Set of 9 shims and baffle tool for making precise changes to the flange focal distance for URSA Mini Pro's EF, PL or B4 mount.

A$135

Buy Now
Blackmagic URSA VLock Battery Plate

Blackmagic URSA VLock Battery Plate

VLock compatible battery plate for attaching third party batteries to URSA cameras.

A$165

Buy Now
Blackmagic URSA Gold Battery Plate

Blackmagic URSA Gold Battery Plate

Gold mount compatible battery plate with Molex connector for attaching third party batteries to URSA cameras.

A$165

Buy Now
Blackmagic URSA Mini Mic Mount

Blackmagic URSA Mini Mic Mount

Add a shock and vibration isolated professional microphone mount to your URSA Mini or URSA Mini Pro camera!

A$225

Buy Now
Blackmagic 3G SDI Shield for Arduino

Blackmagic 3G SDI Shield for Arduino

Now you can control Blackmagic Design cameras by inserting control commands into the SDI feed from an Arduino!

A$185

Buy Now
Blackmagic URSA Mini Recorder

Blackmagic URSA Mini Recorder

Now you can record 12-bit Blackmagic RAW files onto fast 2.5 inch SSDs, including the latest 7mm U.2 NVMe Enterprise SSDs which transfer data at speeds of up to 900 MB/s!

A$699

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Blackmagic URSA Handgrip

Blackmagic URSA Handgrip

Optional side hand controller for URSA Mini Pro with record start/stop, iris and focus buttons built in. Standard rosette and LANC for attaching to the side of the camera or relocating it to the front of the camera with the URSA Mini Shoulder Kit.

A$329

Buy Now
Blackmagic URSA Mini Shoulder Kit

Blackmagic URSA Mini Shoulder Kit

Be ready to shoot anywhere! Kit includes shoulder pad with built in rosettes, rail mounts, integrated tripod quick lock release and top handle.

A$655

Buy Now
Blackmagic 58mm Lens Cap

Blackmagic 58mm Lens Cap

The 58mm lens cap easily snaps on to protect your camera’s lens from scratches, dust, moisture, and fingerprints when the camera is not in use.

A$19

Buy Now
Blackmagic 77mm Lens Cap

Blackmagic 77mm Lens Cap

The 77mm lens cap easily snaps on to protect your camera’s lens from scratches, dust, moisture, and fingerprints when the camera is not in use.

A$19

Buy Now
Blackmagic 82mm Lens Cap

Blackmagic 82mm Lens Cap

The 82mm lens cap easily snaps on to protect your camera’s lens from scratches, dust, moisture, and fingerprints when the camera is not in use.

A$19

Buy Now